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Volume 65, 2022

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Theory and history of culture

ZHIROV V. K.
MITINA E. G.
ISHCHENKO A. V.

Enlightening Significance of Landscape Architecture in Russia: Sacred Symbolism and Educational Environment

GUSEV N. S.

Medieval Architectural Monuments of Macedonia in the Descriptions of Russian Travelers (Mid-19th – Early 20th Сenturies)

KLYUKINA L. V.

The Construction of the Church of Alexander Nevsky in the City of Petrozavodsk in the 19th Сentury as an Example of Converting Old Believers into Christianity

BELOV A. V.

Cultural Environment of Moscow at the Turn of the 19th Сentury: Noble Theaters of the City. Main Types and Features of Operation

USANOVA N. S.
ARKHIPOVA M. L
.

Pragmatics of the Ball in Russia in a Diachronic Aspect: from Origins to Modernity

MOSOLOVA L. M.
BONDAREV A. V.
ZYKIN A. V.

“Indigenous People” as a Constructing Concept: Problematization, Interpretation and Discourses

MOKSHINA I. S.
NECHAEVA T. Y.

Youth Periodical Press as a Means of Patriotic Education During the Great Patriotic War

ANKHIMIUK M. YU.

Foreign Policy in Programs of Czech Political Parties at Turn of the 21th Century: Historiographical Essay

Philological sciences

KUZMINA M. D.

Correspondence by A. D. Kantemir with his Sister and the Development of the Epistolary Genre in Russia of the 18th Century

YUKHNOVA S. N.
PYATKIN S. N.

Lermontov`s Poem “The Sail” in the Russian Culture

ISACHENKO T. A.

The Almanac of Queen Olga with Autographs by the White Emigration at the Auction in Monaco 2018

ZUSEVA-ÖZKAN V. B.

Towards the History of Russian Poetical Narration: Prosaic Autocommentary in the Poems “The Speculations of the Soul” by P. Buslaev and “The Joyous Science’’ by M. Amelin

SHADURSKY V. V.

Perception of Avvakum in the Works of Mark Aldanov

ISAEVA L. A.
YEPATKO T. A.

Lexical Semantic Field of Verbalizers of the Concept “Horse/Mare”: General Cultural and Regional Specifics

TVERDOKHLEB O. G. 

Specific Ways of Ironic Interpretation of Anthroponyms in Aphorisms

EMELIANENKOV V. V.

Term-association-image in Russian and Polish by the Example of Choreographic Art

SHAPOVALOV A. V.

Rhetorical Questions and Exclamations in Slavic Historical Narration of the 11–12 Centuries (“Russian Primary Chronicle”, “Chronica Boemorum”, “Gesta Principum Polonorum”)

History of Arts

GROMOV M. N.

Methodology of the Study of Ancient Russian Art and Culture 

BELGORODSKY V. S.
KOTOVSKAYA G. M.
SHVETS E. G.

Sociology of Everyday Life: Russo-Turkish War of 1877–1878 through the Eyes of Artists

TOMILOVA A. I.

Perpetuation of Historical Dates under Nicholas II in Religious Buildings (in the Context of the 300th Anniversary of the House of Romanov)

PATINA T. E.
KOVALEVA O. V.

Formation and Evolvement of the Russian Avant-Garde during 1910–1930. Ideas of the Russian Textile Avant-Garde

UVAROV V. D.

The History of the Use of Tapestry Art in the Interiors of Public Buildings in the 20–21 Centuries

CHERNYAEVA I. V.

BALAKHNINA L. V.

Philanthropy and Charity as the Features of the Russian Art Market

KHMELNITSKAYA O. V.

Ethnical Trend Features in the Creative Style Development of the Omsk Fashion Design School

BARSUKOVA N. I.

Semiotic Functions of Figurative and Associative Forms of Design in the Urban Enviroment

Barsukova
Khmelnitskaya
Chernyaeva
Uvarov
Patina
Tomilova
Belgorodsky
Gromov
Shapovalov
Emelianenkov
Tverdokhleb
Isayeva
Shadursky
Zuseva-Özkan
Isachenko
Yukhnova
Kuzmina
Ankhimiuk
Mokshina
Mosolova
Usanova
Belov
Klyukina
Gusev
Zhirov