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Title of the article: |
ADAPTATION OF COMBINATORIAL METHOD AT THE DESIGN OF MODELS FROM LACE CLOTHS |
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Author(s): |
Yulia I. Zelenova Valery S. Belgorodskу Nadezhda A. Korobceva |
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Information about the author/authors |
Julia I. Zelenova — Postgraduate, Designer (costume stylist), Artist, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya St. 33, 117997 Moscow, Russia. ORCID ID: https://orcid.org/0000-0002-6979-2443. E-mail: zelenova.julie@yandex.ru Valery S. Belgorodsky — DSc in Sociology, Professor, Rector, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya St. 33, 117997 Moscow, Russia. E-mail: rectormgudt@mail.ru Nadezhda A. Korobceva — DSc in Technology, Professor, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya St. 33, 117997 Moscow, Russia. ORCID ID: https://orcid.org/0000-0001-9895-6761. E-mail: rrr-home@yandex.ru |
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Section |
History of Arts |
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Year |
2020 |
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Volume |
Vol. 56 |
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Pages |
pp. 248–261 |
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Received |
November 14, 2019 |
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Date of publication |
June 28, 2020 |
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DOI: |
https://doi.org/10.37816/2073-9567-2020-56-248-261 |
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Index UDK |
7.01 + 745:687.1 |
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Index BBK |
85.126 |
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Abstract |
The present study explores the structure of combinatorial method and examines its impact on the design of costumes and products from lace fabric. It provides a brief description of structural components of the combinatorial method with the justification of their mutual conjugation in the design process of a costume from lace fabric. The paper also pays attention to the impact of various groups of ornaments on human psycho-emotional perception. Therefore author’s ornamental motif for the lace element-module is developed in accordance with the data on psycho-emotional perception of a person. The synthesis of techniques carried out according to the developed classification of the combinatorial method, allowed producing experimental sketches of costumes from author's lace elements-modules with a detailed description of design techniques applied in costumes, which exemplified the adaptation of the combinatorial method. |
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Keywords |
lace, combinatorics, new technologies, methods, lace making, 3D-printing, innovation. |
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References |
1 Zelenova Iu. I. Spetsifika formoobrazovaniia kostiuma iz kruzhevnykh poloten [Specifics of the form-making of a costume made of lace fabrics]. Voprosy gumanitarnykh nauk, 2018, no 1 (94), pp. 95–98. (In Russian) 2 Zelenova Iu. I., Belgorodskii V. S. Fakturoobrazovanie kostiuma na osnove ispol'zovaniia azhurnykh poloten [Texture-making of the costume based on using openwork fabrics]. Dizain i tekhnologii, 2017, no 61 (103), pp. 12–21. (In Russian) 3 Korobtseva N. A. Osnovy imidzh dizaina kostiuma. Monografiia [Basics of costume design. Monograph]. Moscow, RIO MGUDT Publ., 2014. 70 p. (In Russian) 4 Parmon F. M. Kompozitsiia kostiuma. Odezhda, obuv', aksessuary [Composition of costume. Clothing, shoes, accessories]. Moscow, Triada Plius Publ., 2002. 312 p., 258 il. (In Russian) |
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