2001
2002
Volume 51, 2019
Theory and history of culture|  | BOGATYREV A. V. | |
|  | LEBEDEV V. YU. | Semiotic features of apologetics of Ivan The Terrible`s religious veneration | 
|  | BELOV A. V. | |
|  | SHAPIRO B. L. | Warfare horse revival in the 18 century (“Golden age” of Catherine II and its background) | 
|  | PETROV A. M. | Plotline functions of the fire element in the Russian popular Orthodox culture | 
|  | SIMONOVA M. M. | |
|  | ANDREEV A. A. | Parascience as a new style in Russian science fiction literature | 
|  | SKLIZKOVA E. V. | 
|  | ANDREEVA E. A. | |
|  | CHUDZINSKA-PARKOSADZE A. | The paradigm of initiation in the fairy tale “Vasilisa the Beautiful” | 
|  | NAGURNAIA S. V. | |
|  | ZAVELSKAYA D. A. | The motif of the miracle in the Christian holiday`s imagery of Russian literary tradition | 
|  | STROGANOV M. V. | Russian and Belarusian cruel romances: plot structure and national identify | 
|  | MAKASHEVA S. DZ. | |
|  | VALENTINOVA O. I. | Conceptual fields principal in G. P. Melnikov`s linguistic theory | 
|  | TEUSH O. A. | Lexical embodiment of the ideographs “lake” in dialects of the Europian North of Russia | 
|  | TETERINA E. N. | The function of the anti-pastoral figurativeness in R. Senchin`s novel “Eltyshevs” | 
|  | DANILOV V. V. | |
|  | GROMOVA M. V. | |
|  | ARKHIPOVA N. A. | Social poster in Russian Empire (late 19th – early 20th centuries) | 
|  | VARAKINA G. V. | |
|  | SMAGINA S. A. | The phenomenon of “new woman” in the Soviet cinematography of the 1920s | 
|  | GONCHARENKO A. A. | Art criticism within the system of culture in the USSR of the 1930s | 
|  | USANOVA A. L. | Barnaul`s artistic space: dialectics of capital and provincial culture | 
|  | BESCHASTNOV N. P. | Russian province in Alena Dergileva`s graphics: creative search in the context of time | 
|  | LUGANSKAYA E. A. | 
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