Title of the article:

EVOLUTION OF FOLK ART MOTIFS IN DOMESTIC PRINTED TEXTILES OF THE 40–60S OF THE 20TH CENTURY

Author(s):

Ekaterina.V. Morozova

Angela.V. Shcherbakova

Information about the author/authors

Ekaterina V. Morozova — PhD in Arts, Associate Professor of the department “Decorative and applied arts and art textiles”, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya St., 33, bldg.1, 117997 Moscow, Russia. ORCID ID: https://orcid.org/0000-0002-0663-0498 E-mail: morosowa8888@rambler.ru

Аnzhela V. Shcherbakova — PhD in Arts, associate professor of the “Decorative and applied arts and art textiles”, A. N. Kosygin Russian State University (Technologies. Design. Art), Sadovnicheskaya St., 33, bldg.1, 117997 Moscow, Russia. ORCID ID: https://orcid.org/0000-0002-8476-2648 E-mail: shherbakova-av@rguk.ru

Section

History of Arts

Year

2022

Volume

Vol. 63

Pages

pp. 332–347

Received

February 18, 2021

Approved after reviewing

July 07, 2021

Date of publication

March 28, 2022

DOI:

https://doi.org/10.37816/2073-9567-2022-63-332-347

Index UDK

741.021.2

Index BBK

85.125(2)6

Abstract

The paper deals with design features of drawings using motifs of folk art at domestic enterprises producing printed textiles. Domestic textiles of the post-war years may be roughly divided into three periods. The patterns of the first post-war years and the beginning of the 1950s keep a stylistic unity with the pre-war period. Most of the drawings associated from our perspective with the image of the 60s were created in a rather short period of 1956–1965 and expressed themselves in bright rich ornaments. In the last four years, there has been a gradual evolution of textile patterns towards the organic plastics of Art Nouveau and “refinement” of forms, which create uniform filling of the fabric`s plane. The restoration of the textile industry began even before the end of the war. Since 1944, the unaffected enterprises resumed producing printed textiles for the population. In the first post-war years, drawings with the use of folk motifs most often represented an imitation of embroidery and weaving. The end of the 1950s and the beginning of the 1960s came to be a time of radical changes in a social and political life of the USSR. The artistic design of textiles comes under the influence of ideas of “international style”, the experimental search for unofficial art of the time, and international contacts. The motifs of folk art receive a figurative and emotional interpretation.

Keywords

Soviet printed textiles, design of printed textile designs, plot-thematic drawings of the 60s of the twentieth century, folk art motifs, the influence of international fashion, transformation, stylization, ornamental artists, the evolution of textile ornament, assortment groups, experimental searches.

References

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