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Title of the article: The genre and the form of liturgical chants in the author’s creation of a New direction: tradition and interpretation
Author(s): Artemova E. G.
Section: Issues of Theory of Art
Year: 2013
Issue: № 1 (XXVII)
Pages: 102-108
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Abstract: The paper considers the problem of interpretation of the canonical chants of the Russian Church in the composer’s creation. The major categories of church singing canon — genre and form of hymns — are analyzed through the prism of the individual author’s approach on the example of one-part and multi-part forms of spiritual musical works of Petersburg composers of a New direction at the turn of XIX–XX centuries.
Keywords: genre, form, chants, singing church canon, individual creativity, interpretation
Bibliography: 1. Gardner I. A. Bogosluzhebnoe penie Russkoj pravoslavnoj cerkvi: v 2 t. [The church singing of the Russian Orthodox Church: 2 v.] Sergiev Posad, Moskovskaja duhovnaja akademija Publ., 1998. Vol. I. 2. Guljanickaja N. S. Pojetika muzykal'noj kompozicii: teoreticheskie aspekty russkoj duhovnoj muzyki HH veka [Poetics of musical composition: theoretical aspects of Russian sacred music of the twentieth century]. Moscow, Jazyki slavjanskoj kul'tury Publ., 2002. 432 p. 3. Kastal'skij A. D. Iz vospominanij o poslednih godah. Sinodal'nyj hor i uchilishhe cerkovnogo penija [From the memories of the recent years. Synodal Choir School and church singing]. Russkaja duhovnaja muzyka v dokumentah i materialah [Russian sacred music in the documents and materials]. Moscow, Jazyki slavjanskoj kul'tury Publ., 1998 (1917) pp. 243–257. 4. Lihachjov D. S. Razvitie russkoj literatury H–XVII vekov [Development of Russian literature of X–XVII centuries]. Leningrad, Nauka Publ., 1973. 254 p. 5. Nikol'skij A. V. P. I. Chajkovskij kak duhovnyj kompozitor [Tchaikovsky as a spiritual composer]. Muzyka i zhizn' [Music and life], 1908, no 10–11, pp. 24. 6. Nikol'skij A. V. Formy russkogo cerkovnogo penija [Forms of Russian church singing]. Petersburg, 1917.
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