Title of the article:

… AFTER THAT… “I JUST WANT TO EMBRACE THE WHOLE WIDE WORLD, TO CREATE, TO LIVE, TO LOVE AND BELIEVE!” “PROVINCE” — “CAPITAL”: THEATRICAL ASPECT

Author(s):

Vera К. Кrylova 

Information about the author/authors

Vera K. Krylova — PhD in Arts, Senior Research, Institute of the Humanities and the Indigenous Peoples of the North of the Siberian Branch of the Russian Academy of Sciences, Petrovsky St., 1, 677027 Yakutsk, Russia. E-mail: kvkrepressgur@mail.ru

Section

History of Arts

Year

2017

Volume

Vol. 46

Pages

Pp. 236-256

Received

June 27, 2017

Date of publication

December 15, 2017

Index UDK

792

Index BBK

85.33

Abstract

The paper, for the first time, taking into account the assessments of the leading directors, the audience, printed sources, explores the significance of the playwriting legacy of A. V. Vampilov in the theater not only of the former USSR, but also of the foreign one. It reveals the role of his healing provincial reality, endowed with “moral confessional force”. Attention is focused on the play “Last summer in Chulimsk”, which used to have a special psychological impact not only on the provincial, but also on the metropolitan audience. The author highlights the gratifying role of Vampilov's “soviet hinterland”, easily and eagerly internalized by the audience. It is to conclude that today the world of the Vampilov's “soviet province” is not only left intact, but it is in high demand both with theaters and spectators. For some, it is important in view of an original, multifaceted, bright artistic phenomenon in the field of theater, for others — of a healing purity of human feelings, which will only make you say, “I want to embrace the whole world, create, live, love and believe!”

Keywords

province, the capital, A. V. Vampilov`s dramaturgy, play “Last summer in Chulimsk”, director G. A. Tovstonogov, stage, theater, performing skills, audience, the psychology of the act .

References

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